![]() ![]() In Georgia, the uppercase characters are lightened, the x-height is increased, the ascenders rise above the cap height, and the numerals, often cut with a high degree of stress, have been evened out and made slightly non-aligning - a characteristic that imparts a flavor of individuality to any page set in Georgia. To create a font tailored for on-screen display, Carter had to make several departures from the Scotch mold. The influence of the Scotch model on Georgia is most clearly seen in the horizontal top serifs of the lowercase b, d, h, k and l, and by the flat top of the lowercase t, a typographic allusion to the typeface's roots in Didot. Carter admits that he had always admired Scotch, particularly in its early forms as cut by Richard Austin for Bell and Miller. ![]() At the time he started Georgia he had been working on a new retail family called Miller, which is a version of Scotch Roman. Carter acknowledges the influence of Richard Austin's early nineteenth-century cut of Scotch Roman on the design of his letterforms. ![]() At high resolutions and larger sizes on screen, it's evident that Georgia's ancestory is essentially that of Didot and - most noticeably - of Scotch Roman. In Georgia, Carter has successfully managed to create a typeface family which combines high legibility with character and charm. This is as much testament to the skill of the typeface's designer, Matthew Carter, as it is to any intrinsic quality of the face's design, since the small pixel spaces of the screen can be a harrowing canvas for any type designer. Even at small sizes the face exudes a sense of friendliness a feeling of intimacy many would argue has been eroded from Times New Roman through overuse. Here are some examples of its use in different contexts.Although inspired by the need for - and providing - clarity at low resolutions on the screen, Georgia is a typeface resonant with typographic personality. In general, This is a resourceful font that can be used in a variety of contexts, both online and offline. have used the font for at least some time.Īdditionally, the font also has a professional look, which makes it a good choice for headlines, titles, and other display text. Famous companies and institutions like the New York Times, the Library of Congress, the University of Georgia, etc. The font is known for its clear and easy-to-read letterforms, making it a popular choice for body text in online articles and digital documents. It is considered a “web-safe” font, which means that it is widely available and can be easily displayed on most web browsers and devices. As part of designing Georgia Font, Matthew Carter avowed the Lifetime Achievement Award on May 2, 2011, from the Cooper-White National Design Museum in Smithsonian. Georgia Font has won many awards, In 1999 this font won an award at Kyrillitsa. However, as the design of the screen display, it has a larger X-height and less subtle details. Georgia typeface is similar to Times New Roman. ![]() The font is visible even at very low resolutions and is very easy to understand. With 585 characters and 4 styles, Georgia font is very much attractive and versatile. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |